Thursday, July 25, 2013

Works from Eva-Maria Bolz, Andy Holtin and Ditte Lyngkær Pedersen in Synaesthesia/4: Translating, Correcting, Archiving

Eva-Maria Bolz, Der Innere Monitor
Colour Plates
(c) Photography: Kirsten Kofahl, 2013
Eva-Maria Bolz, Der Innere Monitor
Colour Plates
(c) Photography: Kirsten Kofahl, 2013
Eva-Maria Bolz, Der Innere Monitor
Colour Plates
(c) Photography: Eva-Marie Bolz, 2013
Eva-Maria Bolz, Der Innere Monitor
Artist Book
(c) Photography: Eva-Marie Bolz, 2013
Andy Holtin, Corrections and Connections
Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations and Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations and Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations and Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustration
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations and Video Installation
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Illustrations and Video Installations
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Video Installations and Artist Book
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word?
Artist Book
(c) Photography: Tim Deussen, 2013
Ditte Lyngkær Pedersen, Why Is Green a Red Word? and Andy Holtin, Corrections and Connections
Video Installations and Artist Book
(c) Photography: Tim Deussen, 2013

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