Friday, May 10, 2013

Works from Pietro Grossi & Sergio Maltagliati in Synaesthesia/3: History of the Senses

Circus 8 Pietro Grossi & Sergio Maltagliati

Circus 8 Pietro Grossi & Sergio Maltagliati

Circus 8 Pietro Grossi & Sergio Maltagliati

Circus 8 Pietro Grossi & Sergio Maltagliati

Circus 8 Pietro Grossi & Sergio Maltagliati

Circus 8 Pietro Grossi & Sergio Maltagliati

The Italian composer Pietro Grossi (1917 - 2002) was one of the first programmers to contribute pioneering work in computer generated music. In 1964 he was among the first to introduce the experiments of John Cage to Italy. A year later he became the professor of electronic music at Konservatorum Luigi Cherubini in Florence. He also used his composing programs to develop early computer graphics. With the use of "QBasic" he developed the program "HomeArt".Sergio Maltagliati studied under Pietro Grossi in the 1980s and developed new methods of musical compositions, in which the score underwent a significant visualisation. Maltagliati has reworked the Grossi's original programs by adapting the programming code to create a generative program that simultaneously produces sound and abstract colours and shapes.

The work Circus 8 (1986/2008) consists of eight pieces and is based on Grossi's HomeArt programs, which automatically generated sound. Maltagliati has expanded Grossi's principle with software programs and added visual graphic variations. The visual data generated by the computer approximates the graphic score for a sound composition (cf. John Cage). Whilst the work Circus 8 adds a media historical dimension to Art Laboratory Berlin's Synaesthesia series, it also brings an important new component into the discussion: the computer as artificial brain with its own form of digital synaesthesia.


On exhibition through 12 May
(http://www.artlaboratory-berlin.org/html/eng-exh-30.htm)

Friday, May 03, 2013

Art Laboratory Berlin presents Rich Pell and CPNH at Synapse 2013 (at HKW)

All photos this entry copyright  2013 Richard Streitmatter-Tran
Regine Rapp and Christian de Lutz introduced Rich Pell from the Center for Postnatural History (Pittsburgh) - http://postnatural.org/  at the 2nd Synapse International Curators' Network on Art and Science (in context of the Anthropocene Project at Haus der Kulturen der Welt)

Rich Pell presented the Center for Post Natural History, as well as talking about his current exhibition at the Berlin Natural History Museum

Tuesday, April 02, 2013

A Banquet for Ultra Bankruptcy

Performances by Carl Rowe & Simon Davenport (23.03 - 24.03)


Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen


Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen

Photo (C) Tim Deussen












Opening of Synaesthesia/ 3: History of the Senses 

with works by Carl Rowe & Simon Davenport, Sergio Maltagliati & Pietro Grossi


"A Banquet of Ultra Bankruptcy" / performance by Carl Rowe & Simon Davenport







"Circus 8" by Sergio Maltagliati & Pietro Grossi (in the back room)
"Circus 8" by Sergio Maltagliati & Pietro Grossi





Thursday, March 07, 2013

Artist talk with Madi Boyd 10 March, 2012 at 3PM
in connection with the exhibition
Synaesthesia / 2: Space and Perception

Madi Boyd
Carrie C Firman

Madi Boyd and  'The Point of Perception'. Photo Courtesy Art Laboratory Berlin
 
In her artist talk Madi Boyd will discuss her artistic work including "The Point of Perception" from the current exhibition. In addition to the topic of synaesthesia, she will also talk about the importance to neuroscience and other relevant fields in her artistic practice.


'The Point of Perception', installation photo,Photo courtesy of Art Laboratory Berlin

'The Point of Perception'.Photo © by Amin Akhtar

Regine Rapp in the installation 'The Point of Perception'. Photo © by Amin Akhtar