Tuesday, October 09, 2012

Synaesthesia / I: The Orange Smell of November

Barbara Ryan
Annette Stahmer

 


Opening: 26 October, 2012, 8PM
Exhibition runs: 27 October – 16 December, 2012
Open: Fri-Sun, 2-6 PM and by appointment


As part of the new series Synaesthesia, Art Laboratory Berlin presents the first exhibition The Orange Smell of November with new works by Barbara Ryan and Annette Stahmer.

The term "synaesthesia", from the Greek "aisthesis" ("Sensation", "sensory impression") and "syn" ("together") meaning the experience of two or more sensory impressions at the same time, is both an artistic paradigm and neurological phenomena.

The artist Barbara Ryan’s perceptions of the world are underpinned by her polymodal synaesthesia which in turn forms the foundation of her artistic work. She experiences her synaesthesia »as something that is in her parallel conscious – as opposed to something that is in the subconscious, creating a duality of vision«. Her installation That can’t be September – it smells like the August of 1985! combines in a unique way the artist’s intimate personal relationship between scent, color, time and space, played out within the city of Berlin, where she lived in the 1990s.

The work of the Berlin typographer and artist Annette Stahmer revolves around language, the relationship between voice and writing, the act of writing, palimpsests and synaesthesia. The two videos in the exhibition - A ist blau and Synästhetische Bilder I - IV - show the artist's mother, a synaesthete who connects vowels with certain colours. The focus is on language that, following this internal logic, serves not only as a description of this phenomena, but becomes in itself material, assuming colour and consistency. Therefore it evokes within the listener poetic, almost surreal images.


With the generous support of:


Synaesthesia is supported in part by a generous gift from Michael Schröder.




Media partner:

Sunday, September 02, 2012

Embodiment of Time.
Yasuhiro Sakamoto mit Iñigo Giner Miranda
Dave Hebb


Vernissage - 31 August, 2012

Photo by Dave Hebb


Photo by Dave Hebb

Photo by Dave Hebb












Photo by Dave Hebb



The Japanese artist and scholar Yasuhiro Sakamoto and the Spanish composer Iñigo Giner Miranda have developed the installation String Quartet without Strings for Four Loudspeakers and an Art Machine especially for the exhibition. The work transforms the complex time structures of contemporary and classical music into an acoustic-visual model.
The American artist Dave Hebb deals with artifacts of industrial civilization in the form of photography, video and installation. His video installation Monitor, which will be shown at Art Laboratory Berlin, is a video and photographic documentation of an environmental intervention extending over a one year period.

Friday, August 24, 2012

Time & Technology

Embodiment of Time.
Yasuhiro Sakamoto with Iñigo Giner Miranda
Dave Hebb

Opening: 31 August, 2012 8PM
Exhibition runs: 1 September - 14 October, 2012
Opening hours: Fri - Sun, 2-6 PM and by appointment
Yasuhiro Sakamoto & Iñigo Giner Miranda, String Quartet without Strings for Four Loudspeakers and an Art Machine, 2012 (sketch)

Dave Hebb, Monitor, 2010-12    

Art Laboratory Berlin is pleased to announce the upcoming exhibition Embodiment of Time, which is part of the series Time & Technology, and opens at the end of August.

The Japanese artist and scholar Yasuhiro Sakamoto and the Spanish composer Iñigo Giner Miranda have developed the installation String Quartet without Strings for Four Loudspeakers and an Art Machine especially for the exhibition. The work transforms the complex time structures of contemporary and classical music into an acoustic-visual model. This sound sculpture interprets the term music in the broadest sense as an organization of time, which not only creates purely tonal material, but also patterns of movement (rolling marbles, turning wheels, pendulums, etc.) and optical patterns (e.g. video), presenting a significant contribution to our understanding of the ever more complex relation we have to time in the 21st century.

The American artist Dave Hebb deals with artifacts of industrial civilization in the form of photography, video and installation. His video installation Monitor, which will be shown at Art Laboratory Berlin, is a video and photographic documentation of an environmental intervention extending over a one year period. Hebb placed a computer monitor outdoors and over the entire year documenting the changes to the environment several times a week. Viewers are challenged to reflect on their individual relationships with nature and technology as well as how technology is effecting our experience of time.

Curated by Regine Rapp and Christian de Lutz


With the generous support of:

  


Senate Office of Cultural Affairs - Berlin





Media partner:













Friday, August 03, 2012


Campus Party is the biggest electronic entertainment event in the world. It's a weeklong, 24-hours-a-day technology festival for thousands of “campuseros” - hackers, developers, gamers and geeks.

For a short time only, here is your chance to win an all week pass worth €128 to Campus Party Europe in Berlin for FREE! In this drawing ArtLaboratory Berlin is giving away 20 tickets. The ticket will give you full access to all of the great events taking place at Campus Party: 400 hours of talks, debates and workshops on nine stages as well as competitions and hackathons with a prize pool of €80,000. (more information here )

Wednesday, August 01, 2012

Embodiment of Time - opening 31 August, 2012

Next exhibition :
Time & Technology

Embodiment of Time.
Yasuhiro Sakamoto with Iñigo Giner Miranda
Dave Hebb

Opening: 31 August, 2012 8PM
Exhibition runs: 1 September - 14 October, 2012
Opening hours: Fri - Sun, 2-6 PM and by appointment


Yasuhiro Sakamoto with Iñigo Giner Miranda, 
 String Quartet without Strings for Four Loudspeakers and an Art Machine, 2012 (sketch)



Dave Hebb, Monitor, 2010-12


Art Laboratory Berlin is pleased to announce the upcoming exhibition Embodiment of Time, which is part of the series Time & Technology, and opens at the end of August. 

The Japanese artist and scholar Yasuhiro Sakamoto and the Spanish composer Iñigo Giner Miranda have developed the installation String Quartet without Strings for Four Loudspeakers and an Art Machine especially for the exhibition. The work transforms the complex time structures of contemporary and classical music into an acoustic-visual model. 

The American artist Dave Hebb deals with artifacts of industrial civilization in the form of photography, video and installation. His video installation Monitor, which will be shown at Art Laboratory Berlin, is a video and photographic documentation of an environmental intervention extending over a one year period.
(more information)

Curated by Regine Rapp and Christian de Lutz



With the generous support of:
 
Senate Office of Cultural Affairs - Berlin






The Time & Technology series is made possible in part by a generous gift from Michael Schröder.


Media partner:



Saturday, June 30, 2012

29 June, 7PM
kate hers Transmigration in Artistic Practice.
Screening and Presentation. 

Transmigration in Artistic Practice is a screening and artist presentation of three projects by the Korean-American artist kate hers, whose works in performance, video and other media deal with issues of language and identity.

Missing [7’55”] is a performative autobiographical documentary video which investigates the phenomena of Korean adoptees returning to the land of their birth and addresses the issues of belonging and transnational identity. 

Sex Education for Finding Face in the 21st Century [9’43”] is a provocative performance video made in Korea formed of two different footages. This harsh critique of the Korean society tries to frame the personal in broader politics and questions the status of the young unmarried pregnant women in the country. 

The work Das deutschsprachliche Projekt consists of two parts and deals with learning a new language and living in a foreign country. In the first part, made in 2008 the artist realized a rather extreme durational performance. The second part of the project [13’33”] is an ongoing one year interactive performance. The project tries to explore the notion of cultural identity through language. (more information)


Thursday, May 10, 2012

10 May, 8PM
Palindrones:
Musical Transpositions for the Reversing Machine

Performance by Sam Belinfante & Simon Lewandowski 



Works by Cage and others adapted for the output of the Reversing Machine plus new sound works by Sam Belinfante & Simon Lewandowski. In conjunction with the exhibition Fantastic Time Machines and our current series Time & Technology Belinfante & Lewandowski will perform a series of sound works and actions using the Reversing Machine mechanism and attached devices.
In conjunction with the exhibition Fantastic Time Machines. 









all images copyright Art Laboratory Berlin 2012


Special thanks to Hauptstadt Kulturfonds and the Month of Performance Art Berlin.

Sunday, May 06, 2012

Is the Desert Still the Desert in a Digital World?: 
Online performance with Gretta Louw

6 May, 2012 -
Gretta Louw, whose performance and exhibition Controlling Connectivity started off the current Time & Technology series will set up a live video link up between Art Laboratory Berlin and the Warnayaka Arts centre in Lajamanu, Australia, located in the remote central Australian desert.
Since March Louw has been taking part in a residency in Lajamanu teaching photography, video and new media to indigenous arts workers, as well as introducing them to online communication platforms. The culmination of this first program of new media training will be a real time link-up between Lajamanu and Berlin.
A live audience in Berlin will view a simultaneous performance streamed out of Lajamanu, captured by a number of webcams and presented as two large-format projections. The event will incorporate an eclectic and innovative mix of traditional dance and storytelling, as well as live VJing of documentation organised by Louw. The event will also provide and encourage the possibility of interaction and exchange between participants in both Berlin and Lajamanu. (more information)

In cooperation with the Warnayaka Art Centre and Month of Performance Art Berlin


 










Thursday, May 03, 2012


Is the Desert Still the Desert in a Digital World?: online performance with Gretta Louw

6 May, 2012 1 PM

















Gretta Louw, whose performance and exhibition Controlling Connectivity started off the current Time & Technology series will set up a live video link up between Art Laboratory Berlin and the Warnayaka Arts centre in Lajamanu, Australia, located in the remote central Australian desert.
Since March Louw has been taking part in a residency in Lajamanu teaching photography, video and new media to indigenous arts workers, as well as introducing them to online communication platforms. The culmination of this first program of new media training will be a real time link-up between Lajamanu and Berlin. 

A live audience in Berlin will view a simultaneous performance streamed out of Lajamanu, captured by a number of webcams and presented as two large-format projections. The event will incorporate an eclectic and innovative mix of traditional dance and storytelling, as well as live VJing of documentation organised by Louw. The event will also provide and encourage the possibility of interaction and exchange between participants in both Berlin and Lajamanu. (more information)

In cooperation with the Warnayaka Art Centre and 






Month of Performance Art Berlin

Friday, April 27, 2012

Shlomit Lehavi in ZDF Heute Nacht (Wednesday 25 April 2012):
(Report starts at 10:38, portion on Shlomit Lehavi at 12:33)