Artist Talk with Alinta Krauth

Australian artist Alinta Krauth 's new project Under-Mine (2017) was specially developed for Art Laboratory Berlin. She has used video, generative art, data visualisation and an intensive study into the science of animal perception and cognition to propose narrative paths towards a meeting point of the human and nonhuman. Taking into account that each species' way of sensing the world is unique, and often beyond the ken of human experience, Krauth makes use of a diverse technological toolbox to navigate and translate nonhuman perceptions.
More information at: http://artlaboratory-berlin.org/html/eng-exh-archive.htm

Opening of Nonhuman Subjectivities. Under-Mine. Works by Alinta Krauth

DIYBio NOW Bio Fair at Art Laboratory Berlin

17 Feb. 7-10PM
18 Feb. 12-8PM
19 Feb. 12-6PM

A DIYBio fair organized by Biotinkering Berlin, the three-day bio-fair brought together players in the Berlin biohacking scene for a series of hands-on workshops, talks and a special exhibition featuring unique DIY laboratory equipment. The bio-fair focuses on the elusiveness of nature, trying to rebuild the lost connection between humans and the oldest organisms on Earth: bacteria, algae and fungi.

The fairs opened on Friday at 7 PM with a series of presentations by Berlin-based biohackers. The program continued on Saturday 12-8PM and Sunday 12-6PM with workshops and talks on topics ranging from 'bioluminescent bacteria' to 'tempeh fermentation' to 'spectrometry' by Jessica Bernds, Rüdiger Trojok and Alessandro Volpato. It included an exhibition of artworks by  Mirela Alistar, Graziele Lautenschlaeger, Fara Peluso and Margherita Pevere and others.

Anthotype workshop by  Graziele Lautenschlaeger

Anthotypes by Graziele Lautenschlaeger

Tempeh fermentation workshop with Rüdiger Trojok

Bio dye workshop with Luci Ajonjoli and Hong Yu

Alessandro Volpato, workshop on spectrometry, with extracted chlorophyll from basil

Margherita Pevere, Artist's book, bacterial cellulose book and jar with culture, 2016-17

DIY Gene Gun by Rüdiger Trojok

Detail of Komucha Sky by Alessandro Volpato

Viva, jewellery with algae by Fara Peluso

Nonhuman Subjectivities. Under-Mine. Alinta Krauth opens 25 February, 2017

Alinta Krauth, Under-Mine, interactive video installation,  (detail), 2017

Vernissage: Saturday 25 February, 2017. 8PM
Artist talk on 26 February, 2017 at 3PM
Exhibition runs 26 February- 2 April, 2017, Fri -Sun 2-6PM and by appointment


The exhibition project investigates the problematics and possibilities of communicating nonhuman perception through the interface of artistic practice and new technologies. By means of interactive and non-interactive video that use generative and time-based techniques the Australian artist Alinta Krauth considers potential narratives of animals under threat from climate change.

Alinta Krauth's new project Under-Mine (2017), especially developed for Art Laboratory Berlin, uses video, generative art, data visualisation and an intensive study into the science of animal perception and cognition to propose narrative paths towards a meeting point of the human and nonhuman. Taking into account that each species' way of sensing the world is unique, and often beyond the ken of human experience, Krauth makes use of a diverse technological toolbox to navigate and translate nonhuman perceptions.

By means of data generated video and sound, hand drawn animation, and digital interactive elements, Krauth creates four 'narratives' - bat, wild horse, woodlouse, and rock lizard - that follow a similar plot line: the attempt to survive a species die-off. The artist introduces abstract visual and aural perception as language, interaction with an immersive environment, and a sense-oriented, rather than linear narrative. In her own words she discerns that "one way to tell a narrative of, or for, a nonhuman animal is to consider the senses that are stronger in other species than in humans, for example echolocation, magnetoreception, hygroreception, chemoreception, and possibly proprioception."

The project makes use of a tradition of interactive and game related electronic art, which connects the human body to storytelling, but proposes using this to explore the possibilities of inter-species empathy. Through interaction the audience wavers between being a character, a creator, and a viewer. While the artist is well aware that narrative is itself a very human construct, and that any attempt to experience animal perception is bound to be inherently anthropocentric, Under-Mine seeks to push at the boundaries between the human and animal, and dislodge us from our usual subject-object relation to the nonhuman.

Regine Rapp & Christian de Lutz (curators)