Opening tonight!
[macro]biologies
II: organisms
Suzanne Anker
Brandon Brandon Ballengée
Maja Smrekar
from
left to right:
Suzanne Anker, Maja Smrekar, Brandon Ballengée
Vernissage/
Opening: 30 May, 2014, 8PM
Exhibition runs : 31 May– 20 July, 2014
Opening
hours: Fr-Sun, 14-18h (and by appointment)
Artists and curators Talk (all artists are
present): 1 June, 3 PM
The
second exhibition of the series [macro]biologies & [micro]biologies,
[macro]biologies II: organisms will highlight the
works of artists dealing with multi-celled organisms. Noteworthy
is both the relationship of these organisms to us, as well as their
roles as independent actors. The exhibition focuses on the works
of three remarkable, internationally recognized artists whose work
deals with multicellular organisms: Suzanne Anker (US),
Brandon Ballengée (US) and Maja Smrekar (SI).
Suzanne
Anker
The
American artist and theoretician Suzanne Anker has been one of
the key figures working at the border between art and biology
for several decades. Her work combines inquiry into science and
the newest technologies with a keen aesthetic sense.
At
Art Laboratory Berlin Anker will show several series of works:
The installation Astroculture (Shelf Life) was first shown
in 2009. It consists of three plant chambers with installed LED
panels. Surprisingly, although the grown plants appeared to be
fuschia-colored, they in fact were green. The work manifests the
possibility of growing herbs in any light deprived apartment.
Remote Sensing is a series of work produced through rapid
prototyping technology. The three dimensional working software
program converts the image into an object. The resultant sculpture
shares resonance with pictorial maps and landscapes employed by
remote sensing.
In the series Vanitas (in a Petri dish) Suzanne Anker reflects
the concept of Vanitas by employing a Petri dish as the site of
laboratory life in which the Petri dish changes from an object
of science to an object saturated as art.
More
information: http://www.suzanneanker.com/
Brandon
Ballengée
The
American artist Brandon Ballengée pursues a sustainable
form of artistic research in his metier as a visual artist
in the field of bioart and as a biologist in the field
of herpetology.
Art
Laboratory Berlin will show video documentation of his ongoing
project Malamp Reliquaries, on which Ballengée has
worked in various forms since 2001. The project's aim is to investigate
the potentially unnaturally high occurrence of morphological deformities
among wild amphibian populations.
The
exhibition also presents two other works of Ballengée developed
in the course of his artistic and scientific research: the video
projection Requiem pour Flocon de Neige Blesses (A Requiem
for Injured Snowflakes) and the video installation The
Cry of Silent Forms made up of eight monitors of different
sizes arranged horizontally on the floor.
More
information: http://brandonballengee.com
Maja
Smrekar
Maja
Smrekar is an emerging young artist from Ljubljana, Slovenia,
connecting the intersections of humanities and natural sciences
with her main interest in the concept of life.
In
2012, working together with researchers from the Department for
Freshwater and Land Ecosystems at the National Institute of Biology
in Ljubljana/Slovenia, Smrekar built the installation Crustacea
deleatur (an Aksioma Production). This project explores the
problem of invasive species, for instance the interaction of European
(indigenous) and non-European (tropical, invasive) crayfish. An
architectural housing contained a two part aquarium, one part
containing the local Slovene crayfish, the other - the Australian
red claw crayfish (Cherax quadricarinatus) which recently
has settled in the thermal Lake Topla in Slovenia and multiplied
in great numbers. The two parts were connected by a ladder allowing
the crustaceans the possibility of crossing over and confronting
each other.
For the exhibition at Art Laboratory Berlin Smrekar has continued
to develop this project and will present the installation Crustacea
deleatur in a different form as BioBase: risky ZOOgraphies
focussing on the marble crayfish (Procambarus fallax forma
virginalis), and its form of asexual reproduction in which
growth and development of embryos occur without fertilization,
called parthenogenesis. Since the spring of 2013, in this context,
there has been an intensive exchange between Smrekar and Prof.
Dr. Scholtz from the Institute of Biology (Humboldt-Universität
zu Berlin), one of the leading specialists in the marble crayfish
worldwide.
More
information:
http://www.biobase.si/
http://majasmrekar.org/crustacea-deleatur
https://crustaceadeleatur.wordpress.com
Curated
by Regine Rapp Christian de Lutz
Friday, May 30, 2014
Sunday, May 04, 2014
[macro]biologies I: the biosphere/ part 2: Prinzenallee 58
A work by Mathias Kessler (C) Tim Deussen |
(C) Tim Deussen |
Works by Mathias Kessler (C) Tim Deussen |
Works by Mathias Kessler (C) Tim Deussen |
(C) Tim Deussen |
Alexandra Regan Toland, 'Mapping the Grind Mill', 2014 (C) Tim Deussen |
Mathias Kessler, 'Jarrells Cemetary, N37° 53.96' W81° 34.71'. Eunice Mountain, West Virginia', 2012 (C) Tim Deussen |
(C) Tim Deussen |
Alexandra Regan Toland, 'Mapping the Grind Mill', 2014 (C) Tim Deussen |
Mathias Kessler, 'Jarrells Cemetary, N37° 53.96' W81° 34.71'. Eunice Mountain, West Virginia', 2012 (C) Tim Deussen |
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