Sunday, July 08, 2018

Workshop: (Un)Real Ecologies - Microplastics (with Kat Austen & Nana MacLean) 7/8 July, 2018


Plastic has pervaded water, soil and our bodies. It is the new icon of our time. During the (Un)Real Ecologies: Microplastics workshop explored the presence of microplastics in the Panke River, near Art Laboratory Berlin. How do organisms and microorganisms exist with and construct with these human-made materials? We interrogated the water samples, to discover a new understanding of the reality of the Panke's ecosystem, with plastic present and wholly a part of it - a microcosm that allows us to ask: "what is nature?"

Kat Austen is a succession of experiences and an assemblage of aspirations. She creates artworks that explore multiple knowledges, from music to embodied knowledge to DIY science, focusing on emotional connections between what we consider internal and external. Kat is Cultural Fellow in Art and Science at the University of Leeds, lectures on UCL's Arts and Sciences BASc, and is Artist in Residence in UCL's Faculty of Maths and Physical Sciences. Previous residencies include NYU Shanghai Gallery and ArtOxygen. Kat was an inaugural member of the London Creative Network programme. She is based in Berlin.

Nana MacLean studied Biology at the UvA Amsterdam and has recently finished her Master studies in Molecular Biology at the University Potsdam. Besides her studies, she has been involved in projects that crossed borders between disciplinary styles and methods - embracing both speculative design and performative collaborations. As a PhD student, Nana is currently working on microbial communities in anthropogenic landscapes and plastic polluted grounds at the GFZ Helmholtz Center Potsdam. Her research focuses on Plastic as biological habitat, and furthermore explores future ecologies and areas of research that involve storytelling and other imaginative methodologies. Nana is based in Potsdam and Berlin

Kat Austen finding plastic glitter on the street near the Panke River

Preparing the nets 'upstream' Friday 6 July

Nenad Popov filming underwater on the Panke

Nana MacLean setting the 'upstream' net
 The Panke river is a small river that starts about 20 km north of Art Laboratory Berlin close to the small town of Bernau. During its way down into the city Berlin, the Panke changes into a straightened urban stream that receives rain and mixed waters from the surrounding districts. We explored two sections of the Panke, an 'upper' part around ALB is bordered by parks, green shrubby watersides and a swampy floodplain. The more downstream we go, the more influenced the ecosystem will become by urban factors. The 'lower' part of the Panke around Gerichtstrasse already shows less water plant vegetation than on the 'upper' part. In order to collect (Micro)plastic from the water stream, we placed fine nets inside the river that collected all particles flowing through that part of the Panke overnight.

To understand the status of human influence in the different parts of the Panke, we compared water from these two parts of the Panke. We searched for visible interactions between plastics and biota in and around the Panke. Asking how organisms and inhabitants of the Panke live with plastic in their habitat?

Plastics come in different shapes, textures and material properties. Their chemical properties makes them generally very resistant to natural degradation processes by fungi, algae or bacteria. However, the term plastisphere has been used by biologists to describe the living microworld attached to plastic particles in the environment. Surprisingly, plastic seems to be much more than just an human-made waste product: In marine ecosystems it was found that pieces of plastics carry a very specific community of fungi, algae and bacteria. Using a microscope, we can get a close and intimate look into their habitat. In the workshop examined the plastisphere of the Panke and observed the shapes and forms of how organisms interact with plastic. For this step, we chose some interesting particles from our catch and used the available microscopes to get a close look at plastics and living creatures.


Workshop orientation Saturday 7 July

Setting out for the Panke, Saturday 7 July

At the Panke



Various waste found in the Panke

Kat recovering the 'upstream' net


Water sample from the Panke
 Furthermore, we used a two step chemical protocol for the analysis of (Micro) plastics in our water samples. In our case, plastics include hard plastics, soft plastics (e.g., foams), films, line, and sheets. Microplastic is defined by its size smaller than 5mm, so with our nets (200 microns) caught all sizes between 5mm and 0.2mm. During the two days of the workshop we split our samples into different groups, so that we could compare the different procedures with each other.

The solid particles in soil or waters are a mixture of minerals (abiogenic: not produced by living organisms), organic matter that are carbon-based remains from living organisms or their waste product and recently of synthesized anthropogenic compounds (?) that find their way into both terrestrial and aquatic ecosystems.


Digital Microscopy, surface of plastic waste from the Panke, Saturday 7 July



Lunch break at Panke e.V., Saturday 7 July

Checking for microplastics with a fluorescent dye

Wet hydrogen peroxide oxidation, Saturday 7 July

Finding microplastics with a fluorescent dye and digital microscopy, Saturday 7 July

Wet hydrogen peroxide oxidation, Saturday 7 July

Wet hydrogen peroxide oxidation, Saturday 7 July


Finding microplastics with a fluorescent dye and digital microscopy, Saturday 7 July


Kat Austen
  

Nana MacLean finding microplastics with a fluorescent dye and digital microscopy, Saturday 7 July



Each of these compounds have a specific density range and will either float or sink in a given liquid column. In order to divide those three fractions from our water samples, we separated them according to their density. Using a saturated salt solution created a liquid in which plastic and minerals clearly separate from each other. But first, we needed to remove all organic compounds, leaving only minerals and plastics! Adding hydrogen peroxide solution (30%) to your sample is a common method for the elimination of organic matter as it strongly reacts with all organic carbon.


Separating types of microplastics by density in a DIY density column, Sunday 8 July -All photos Art Laboratory Berlin



Workshop overview and protocols here

Documentation file here


http://artlaboratory-berlin.org/html/eng-event-41.htm








Friday, July 06, 2018

Book Release Party - Half life 6 July, 2018

Half Life. Machines/ Organisms, Artistic Positions in the context of Climate Change and Extinction.
Käthe Wenzel/Manfred Blohm (eds.) Fabrico Verlag Hannover, 2018.









Machine-Organisms, organic machines: The dissolution of boundaries between bodies and technology is becoming part of everyday life with feeling prosthesis, neuro implants and neuroenhancement - posthumanism. Even the extinction of the species supposedly be solved by synthetic and mechanical Ersatz-species. What are the artistic perspectives on these developments? What kind of threats and promises are being negotiated here?

41 artistic positions from 15 countries provide critical and visionary views onto socio-emotional service machines - prxies and social crutches; Ersatz: Machine environments and artificial organisms; Utopia: Prosthesis, Utopian Instruments and substitute bodies; Connection: Mediator machines and trans-species communication; Autonomous and obsolete machines, past cultures of machines.

With
A
gnes Meyer-Brandis, Alex May, Alexander Schellbach, Andras Böröcz, Anna Dumitriu, Christa Sommerer, Claudia Schmitz, Courtney Johnson, Emma Critchley, Giuliana Cunéaz, Guy Ben-Ary, Hannes Waldschütz, Ionat Zurr, Jeongmoon Choi, Ji Hyun Park, Jinyoung Lee, John Roach, Käthe Wenzel, Kerstin Ergenzinger, Laurent Mignonneau, Lisa Glauer, Lorenzo Oggiano, Lukas Truniger, Malte Bartsch, Marie-Eve Levasseur, Michael Schulze, Nicola L. Hein, Oron Catts, Pey-Ying Lin, PSJM, Robbin A. Silverberg, Robertina Šebjanic, Saša Spacal, Špela Petric, Susanna Hertrich, Susanna Schoenberg, Suzanne Anker, Tobias Grewenig, VALIE EXPORT, Verena Friedrich, Via Lewandowsky, 431art

...and essays by KätheWenzel/ Manfred Blohm, Regine Rapp/ Christian De Lutz, Lisa Glauer/ Helge Oder.