Wednesday, May 06, 2020

MATERIAL DRIVEN DESIGN. Sculpting with Bioplastic Textile Workshop/ Livestream with Fara Peluso

 

Today Material Research is a central point in the theory and practice of designing new technologies, in cooperation with art and design. These fields are currently collaborating, merging their knowledge and practice to develop a new generation of materials, by focusing on specific characteristics, to create new environmentally friendly materials. Another approach, however, has also arisen in the last years combining making, crafting and personal fabrication of new materials through a form of Do It Yourself (DIY) biology and craftmaking.

This Mind the Fungi workshop discusses this new material driven design movement and methodology, learning how to build a new material by studying and using a living organism like mycelium. Discovering the features, possibilities and limits of mycelium-based materials, the participants will work together growing material and developing new material, building sculptures, assembling DIY packaging and drawing and cutting patterns on a new material made of biofilm.

Due to the COVID-19 crisis the initial workshop has been postponed and will hopefully take place later this year. But on 6 May Fara Peluso led a discussion and online workshop More information at http://www.artlaboratory-berlin.org/html/eng-event-Material-Driven.htm

Thursday, April 30, 2020

'Mind the Fungi' exhibition at FUTURIUM


Photos from our first Mind the Fungi exhibition at the Futurium, which just ended. The second exhibition, featuring the works of Theresa Schubert and Fara Peluso, from their artist-in-residency a the TU Berlin , Institute of Biotechnology, will open during the Summer











Photos by Tim Deussen

Mind the Fungi
is a collaboration between the TU Berlin Institute for Biotechnology and Art Laboratory Berlin, combining scientific research, citizen science and artist and designer residencies-in-lab. The project researches innovative uses for biomaterials produced from tree fungi. Researchers at TU Berlin create new materials from natural sources. How and what you grow the materials on defines its qualities. For this topic Art Laboratory Berlin brings together artists, designers, scientists and the public to share knowledge and experience new forms of creativity through exhibitions, talks and workshops.

The exhibition shows how we have cultivated various tree fungi with different media (i.e. on substrate such as sawdust), and produced biomaterials with different shapes, structures and qualities. Some current examples range from mycelium bricks to 'vegan leather' and other design products. Videos and slide shows document the Art Science project "Mind the Fungi", introduce the individual team members and provide a deeper insight into the creative world of an interdisciplinary work process.Regine Rapp & Christian de Lutz (curators)

More information

Thursday, April 23, 2020

Microplastics and Coexistence Kat Austen and Nana MacLean

Discussion Workshop and Livestream

Wednesday 22 April 2020 from 5:30-7:00 pm


What we consider to be our environment unequivocally and ubiquitously contains plastic. It has been found at the outskirts of human reach: at the top of Mount Everest, in Arctic ice, and at the bottom of the Mariana trench. Plastic is becoming part of our geology and the lively surrounding of many organisms on this planet – a new material and habitat providing new stories and life forms.




The overabundance of this human-made material challenges our concepts of the natural and former sites of waste and refuse might have gotten a new fertile potential: Trees grow on plastic dumps, bacteria and fungi evolve to feed on PET. Plastic might be disrupting our idea of nature but is it really disrupting nature itself?
While plastic can be detrimental to the quality of an ecosystem, plastic pollution is also a carbon sink, storing carbon and keeping carbon dioxide and methane out of the atmosphere. But is this carbon sink, itself an embodiment of industrial processes that contribute to the climate crisis, in competition or complementarity to forests? Using DIY science and artistic research, Kat Austen has been working on a new project Stranger to the Trees* exploring the coexistence of microplastics with birch trees.

In soil, microorganisms are involved in degradation processes of both natural and synthesized material. In order to build a first understanding of the plastisphere as a living micro-habitat, Nana MacLean started characterizing the microbial community on plastic debris in soil and landfills she has visited during her Phd research. With molecular data in her hands, she’s questioning if bacterial life isn’t already “owning” the plastisphere as a new nature.

In the DIY Hack the Panke programme's (Un)Real Ecologies workshops by Nana MacLean and Kat Austen, participants work together to research the coexistence of microplastics with the Panke River in Berlin Wedding. The Sushi Roulette workshop series uses DIY chemistry to search for microplastics in fish guts. Coexistence of plastic with non-artificial entities in the environment, and with humans, is a burgeoning area of research, which has been explored through participatory interdisciplinary techniques and should be discussed from many different angles.

This Earth Day, join Kat Austen and Nana MacLean to discuss the coexistence of microplastics in the environment and what it means for nature and ourselves. During this online talk, we will invite your minds with us to go visiting the plastisphere as artists, chemists and biologists, trees and bacteria, humans and particles – negotiating together a plan of coexistence with microplastics on this planet.

More information at: http://www.artlaboratory-berlin.org/html/eng-event-54.htm

Saturday, January 25, 2020

Borderless Bacteria / Colonialist Cash - Ken Rinaldo Opening tonight


Opens 25 January 2020 at 7PM

Exhibition runs: 26 January- 1 March 2020, Fri - Sun 2-6PM 

Here is a sneak preview:





Borderless Bacteria / Colonialist Cash discusses important current aspects of biopolitics. By visualising microbiome landscapes of banknotes, the project invites us to reflect about the interconnectedness of ecological and economic exchanges.

Much recent attention has been given to the human microbiome, the microbes which live on and within our bodies. These communities also exist on most surfaces around us. When we touch objects, we exchange bacteria, fungi and viruses, leaving some microbiota behind. It is no surprise that one of the objects we touch most – money – is not only a medium of economic but also microbial exchange. According to a study conducted by the NYU Center for Genomics & Systems Biology, 3000 types of bacteria were identified on dollar bills from just one Manhattan bank.

Ken Rinaldo, an established artist in the field of Bio and Postmedia art, develops hybrid human-nonhuman ecologies. Borderless Bacteria / Colonialist Cash explores the hidden microbiome of money within a critical framework that also sheds light on exchange and power. Do Chinese Yuan and American Dollars share bacterial and fungal communities?



This micro-performative project is intriguingly simple in its setup: Various bills of international currency are displayed in square Petri dishes on enriched agar. Time plays a crucial role, as a microbial landscape grows and realises itself over the course of several weeks.

On an aesthetic level, the iconography of the currency literally loses face as microbial growth undermines the representational aspect of the banknotes. The official character of money is subverted. As its microbial nature comes to light, it appears far less representative: a fine network of mycelia covers the head of George Washington on a $1 note; on a 10 CHF note, Le Corbusier is no longer recognisable due to bacterial growth.

Wishing to lessen his carbon footprint, artist Ken Rinaldo expressed the wish that the work be made without his travelling. This work was first made in 2017 during a residency at Cultivamos Cultura, Portugal. Some of the works in the exhibition were created with students from the Gustav-Freytag-Schule in Berlin-Reinickendorf as part of a collaboration between the school, ALB and the DIY Hack the Panke collective*.

Regine Rapp and Christian de Lutz (curators)

Part of the Vorspiel programme in partnership with the CTM and transmediale. 

Special Thanks to the Berlin Senate Office for Culture and Europe and  
*Berliner Projektfonds Kulturelle Bildung

Sunday, October 20, 2019

Invisible Forces- Exhibition Opening and Artist Talk

Erich Berger    Mari Keto    Martin Howse

19 October- 8 December 2019, Fri - Sun 2-6 PM
Opening 18 October 2019, 8PM
Artist Talk 19 October 2019, 5PM

Local Area Network (LAN). Workshop with Martin Howse: 13 Oct and 10 Nov 2019 


Our planet is not only made up of earth and rocks, but also of a number of invisible forces that influence and shape the form and viability of life. Radiation is not just a by-product of the atomic age, but something that exists in the background of almost every environment. In this exhibition, the work of Erich Berger and Mari Keto is presented along with a workshop and forensic exhibition by Martin Howse to open a dialogue between contemporary culture and deep (geological) time and psycho-geophysics.





















 Erich Berger and Mari Keto's works examine the questions of toxic and radioactive waste in our world today. Inheritance is a precious family heirloom and consists of jewellery, which are radioactive and therefore rendered practically and symbolically unwearable. Together with an electromechanical device to determine the remaining radioactivity, the jewellery is stored in a concrete container which is build to endure over a vast amount of time. With these items the story goes that each time the jewellery is handed over from one generation to the next, the ritual of measurement determines if the jewellery can finally be brought in use and fulfill its promise of wealth and identity or if it has to be stored away until the next generation.

Open Care proposes a speculative future where individual families take responsibility for radioactive waste. The piece includes an electroscope for measuring radioactivity, an electrostatic charger and a storage disc for a small amount of nuclear waste, to be passed down form generation to generation. By rendering the huge timescale of radioactive decay into more meaningful units of lifetimes these work open the question of collective care and responsibility from a fresh perspective.

Martin's Howse's workshop and forensic exhibition, Local Area Network (LAN), is a transdisciplinary, speculative investigation of local fields and particles, energetic exchanges, towards the hacking and re-routing of circulations and networks at all stacked levels of local geological, environmental and technological "Umwelten".

LAN intervenes within the co-existent realms of algorithmic entities, of the structures and infrastructures of computation, and communication with the non-human entities of the earth (mycelium and microbes).




With the generous support of:




    
 

Monday, October 14, 2019

Local Area Network (LAN). Workshop with Martin Howse

13 Oct and 10 Nov 2019, 11AM-6PM

Local Area Network (LAN) open workshop is a collective, speculative investigation of local fields/particles, and energetic exchanges, towards the hacking and re-routing of energy flows and networks at all stacked levels of local geological, environmental and technological "Umwelten", forking into a forensic exhibition at Art Laboratory Berlin.

LAN works in the field - at sites along the Panke - and in the lab, punctuating an ongoing exhibition of changing processes and prototypes, examining the interface of data ecologies and the non-human through mapping, measuring and intervening within local and specific energetic transformations, entropic gradients and boundings of matters, materials and cultures.

LAN examines and identifies sites of execution, the places where energetic transformations intersect with human infrastructure and agents of abstraction and logic; intervening within the co-existent realms of algorithmic entities, of the structures and infrastructures of computation, communication with the non-human entities of the earth (mycelium, microbes).

For example, specific devices, developed in the course of collective workshops will examine relations of computation and decay, perhaps logging the growth of lichen and other parasitic fungi/forms on human infrastructures or examining branchy dew formations of radioactive particles. Workshops and devices will equally examine relations of the decay of particles, and the extension of the nuclear/geological within the interiors of plants and bodies.

The first workshop will take place at Art Laboratory Berlin on the 13th October, the second on 10th November. For the 2nd workshop participants should follow the AND operator!


Local Area Network (LAN) forms part of the exhibition Invisible Forces opening at Art Laboratory Berlin on 18 October, 2019.



Photos from 13 Oct:
















   

Supported by the Fachbereich Kunst und Kultur Bezirksamt Mitte and the Bezirkskulturfonds as part of the DIY Hack the Panke program: